30 July 2025
ora 20:00
Teatrul National Bucuresti - Sala Ion Caramitru, Bucuresti
TACHE , IANKE SI CADAR
July 30, 2025 at 20:00
National Theater Bucharest - Ion Caramitru Hall
The text is a delicious comedy in three acts, written in 1932 and staged in the same year at the Maria Ventura Theater, where it was first mounted at Bulandra in 1957 by director N. Al. Toscani. More than six decades after Toscani's staging, Horaţiu Mălăele brings back to the stage of the Bulandra Theater the three human typologies, embodying the Jew Ianke and distributing in the roles of the Turk Cadâr and the Romanian Take to Răzvan Vasilescu and Mihai Constantin.
Along with the three main performers, the cast will also include: Dana Dogaru, Adrian Ciobanu, Maria Veronica Vârlan and Matei Constantin. The scenography of the show was entrusted to Maria Miu.
The play brings to the fore the life story of the three merchant friends, subtly addressing the issue of race, faith and religion, the individual and group identity status, thus reminding us that differences are not necessarily a reason for dissension. But also that good understanding can work on the basis of acceptance and assumption of what defines us and differentiates us from others.
TACHE , IANKE SI CADAR
July 30, 2025 at 20:00
National Theater Bucharest - Ion Caramitru Hall
The text is a delicious comedy in three acts, written in 1932 and staged in the same year at the Maria Ventura Theater, where it was first mounted at Bulandra in 1957 by director N. Al. Toscani. More than six decades after Toscani's staging, Horaţiu Mălăele brings back to the stage of the Bulandra Theater the three human typologies, embodying the Jew Ianke and distributing in the roles of the Turk Cadâr and the Romanian Take to Răzvan Vasilescu and Mihai Constantin.
Along with the three main performers, the cast will also include: Dana Dogaru, Adrian Ciobanu, Maria Veronica Vârlan and Matei Constantin. The scenography of the show was entrusted to Maria Miu.
The play brings to the fore the life story of the three merchant friends, subtly addressing the issue of race, faith and religion, the individual and group identity status, thus reminding us that differences are not necessarily a reason for dissension. But also that good understanding can work on the basis of acceptance and assumption of what defines us and differentiates us from others.
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